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These sculptures are from Geof Oppenheimer’s series Modern Assemblages, which appeared in the solo gallery show, “Inside us all there is a part that would like to burn down our own house.”
He detonates an explosive inside a cube made of ballistics plastic. This is what’s left behind.
It reminds me of the weird relationship between actual violence and depicted violence.
Like, we see more images of human-against-human violence—in video games, movies, TV, etc.—than anyone ever in the history of this species. (Already today, I’ve seen depictions of several hundred violent human deaths, because I watched a movie called The Expendables.)  
But actual violence is increasingly abstract and distant from even those who perpetrate it: Most war-related deaths these days involve explosives, often detonated by people far away from the detonations themselves. Abstraction has kind of become the only way we can really think about this kind of violence, because we experience it abstractly unless and until the bombs land on us. 
Also, I just think these sculptures are very beautiful*, and I like that they were created partly by chance and partly by careful design.
All in all, this is the best use of ballistics plastic I’ve seen since Mythbusters.


*Edit: I don’t mean “just” in the sense that the beauty of these sculptures is incidental. That the beauty results from (and relies upon) violence is of course central to the whole enterprise.
Zoom Info
These sculptures are from Geof Oppenheimer’s series Modern Assemblages, which appeared in the solo gallery show, “Inside us all there is a part that would like to burn down our own house.”
He detonates an explosive inside a cube made of ballistics plastic. This is what’s left behind.
It reminds me of the weird relationship between actual violence and depicted violence.
Like, we see more images of human-against-human violence—in video games, movies, TV, etc.—than anyone ever in the history of this species. (Already today, I’ve seen depictions of several hundred violent human deaths, because I watched a movie called The Expendables.)  
But actual violence is increasingly abstract and distant from even those who perpetrate it: Most war-related deaths these days involve explosives, often detonated by people far away from the detonations themselves. Abstraction has kind of become the only way we can really think about this kind of violence, because we experience it abstractly unless and until the bombs land on us. 
Also, I just think these sculptures are very beautiful*, and I like that they were created partly by chance and partly by careful design.
All in all, this is the best use of ballistics plastic I’ve seen since Mythbusters.


*Edit: I don’t mean “just” in the sense that the beauty of these sculptures is incidental. That the beauty results from (and relies upon) violence is of course central to the whole enterprise.
Zoom Info

These sculptures are from Geof Oppenheimer’s series Modern Assemblages, which appeared in the solo gallery show, “Inside us all there is a part that would like to burn down our own house.”

He detonates an explosive inside a cube made of ballistics plastic. This is what’s left behind.

It reminds me of the weird relationship between actual violence and depicted violence.

Like, we see more images of human-against-human violence—in video games, movies, TV, etc.—than anyone ever in the history of this species. (Already today, I’ve seen depictions of several hundred violent human deaths, because I watched a movie called The Expendables.)  

But actual violence is increasingly abstract and distant from even those who perpetrate it: Most war-related deaths these days involve explosives, often detonated by people far away from the detonations themselves. Abstraction has kind of become the only way we can really think about this kind of violence, because we experience it abstractly unless and until the bombs land on us. 

Also, I just think these sculptures are very beautiful*, and I like that they were created partly by chance and partly by careful design.

All in all, this is the best use of ballistics plastic I’ve seen since Mythbusters.

*Edit: I don’t mean “just” in the sense that the beauty of these sculptures is incidental. That the beauty results from (and relies upon) violence is of course central to the whole enterprise.

    • #geof oppenheimer
    • #contemporary art
    • #art
    • #sometimes i write about art i love but can't afford to own what it's my tumblr you can't stop me
    • #ballistics
    • #explosions
    • #violence
  • 9 months ago
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About

This is the tumblr of John Green, the #1 New York Times bestselling author of The Fault in Our Stars, Looking for Alaska, An Abundance of Katherines, Paper Towns, and half of Will Grayson, Will Grayson. I am also the co-creator of the vlogbrothers youtube channel.

I am best known on tumblr for a drizzle/hurricane metaphor.

You can ask me questions only if you agree not to get mad if I don't answer.

FAQ:
1. Why is your tumblr name fishingboatproceeds?
2. What does DFTBA stand for?
3. Do you and Hank consider yourself nerdfighters?
4. So, does the actual John Green run this tumblr, or is it run by an assistant?
5. Would you release a book that isn't YA?
6. Would you ever write a YA book with an adult in a key role?
7. How do I become a nerdfighter?
8. What's the story behind Pizza John?
9. How do you pronounce bufriedo?
10. How do you feel about the TFiOS movie rights being optioned?
11. Do you get a thrill from killing your characters?
12. "You can love someone so much...But you can never love people as much as you can miss them." 
Can you talk about this?
13. What's this drizzle/hurricane metaphor that you're best known for on tumblr?

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